This is what the critics are saying about trans artist Ethel Cain’s new album Perverts

Perverts, the new explicitly-not-an-album nine-song project from trans goth-rock artist Ethel Cain, is finally here. 

After the release of her 2022 ambient alt-pop debut Preacher’s Daughter, singer-songwriter Ethel Cain (birth name Hayden Silas Anhedönia) acquired an inordinately large number of fans, far more than she had ever anticipated, or even wanted.

Countless music lovers – and, sadly, social media dwellers – lined the pews of her altar, breathlessly awaiting details of her next macabre offering. Now, the 26-year-old musician, sometimes referred to by her loyalists as Mother Cain (whether she wants that moniker or not), has slammed the church doors shut: her new project Perverts isn’t for the casual fan, or for those hungry for a neat package of Tumblr-core indie ballads.

At least, that’s what the reviews are suggesting,

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